The Flex tool is context-sensitive, so you can add additional Flex markers or groups of Flex markers where you choose. Stretching on one side of the cursor compresses the audio on the other side, and the stretched section turns orange, while the compressed part goes green. "Using the Rhythmic mode on multitracked drums, combined with channel grouping and the new phase-locked audio setting, we found Flex Time to be extremely impressive." By using the Flex tool, you then adjust the timing between the automatic markers. When you select a Flex mode for a track, Logic analyses the audio and creates a set of transient markers and Flex markers. The options are available from the Inspector window and as a track view (a bit like automation), and there's a new Flex tool on the toolbar. There are various modes - Slicing, Rhythmic, Monophonic, Polyphonic, Tempophone and Speed - with all but the last designed to help you adjust the timing of audio without affecting the pitch. Flex timeįlex Time is Apple's name for a collection of tools that use its new Flex timestretching engine. On the pedal front, there are a couple of sweet fuzz pedals (Happy Fuzz Face and Candy Fuzz), and we reckon the Robo Flanger is a winner too. Piercing leads (the Brown Stack is particularly nice) and fat modern metal (the Modern American Stack) are complemented by more retro sounds (eg, Small Tweed Combo). Sonically, things compare well to bespoke packages such as AmpliTube. The only downside is that Amp Designer doesn't enable you to design a stereo rig with two amps, cabs and so on. Users of Apogee's new GiO controller also benefit from built-in support, including pedal assignments. "Although Logic already had the basic Bass Amp and Guitar Amp Pro effects, Amp Designer is more like IK's AmpliTube or NI's Guitar Rig." There are other nice touches, too, such as tempo sync for the modulations and delay, and an adjustable split frequency option on the Splitter device. Pedal sourcing is less obvious, but with five different flavours of fuzz and multiple modulation pedals on offer, there's a real 'sweet shop' aspect to this plug-in. This features 30 pedals of various types (distortion, delay, modulation and filter) that you can chain together (up to ten at once), with splitter and mixer modules for creating more complex dual and panned setups.īoth Amp Designer and Pedalboard are graphic-rich designs, so although there are no endorsed emulations, the styling makes it clear that classics from Fender, Marshall, Vox and Mesa are among those that have been emulated. Stomp effects are implemented in a separate plug-in called Pedalboard. The elements can be mixed and matched, and the mic position adjusted, and over 200 presets categorised by amp type and style are included. Although Logic already had the basic Bass Amp and Guitar Amp Pro effects, Amp Designer is more like IK's AmpliTube or NI's Guitar Rig, offering 25 amps, 25 cabinets and three mics (condenser, dynamic or ribbon). However, there is at least one visually impressive addition: the Amp Designer plug-in. The workspace system introduced in Logic Pro 8 now feels like second nature and, although there are subtle changes to a few graphical elements for LP9, for the most part, it looks just like its predecessor. Recording, editing and mixing in surround is also fully supported. For interfacing, there's solid ReWire implementation, and if you plan to transfer songs to another platform, there's XML, OMF and AAF support. If you're after extra processing power, you can combine networked Macs to share the load. There are plenty of other features that make Logic an attractive option. "Although there are subtle changes to a few graphical elements for Logic Pro 9, for the most part, it looks just like its predecessor." The specs are impressive and, out of the box, Logic Pro 9 has something for everyone. This translates to more than 20,000 royalty-free, tempo-clocked Apple Loops and 1700+ EXS24 sampler instruments. The additional content includes all six Jam Packs (including the Voices package), 16GB of sound effects and 6GB of surround sound music beds.
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